Lear is about sight and truth,and how devilish charms (derived from the audience's participation and perception) bend sight and truth。So it (and the similarly placed `The Tempest') are naturals for film,especially self-referential films about films and filmmaking。
She didn't say nothing. She said:"Nothing.No thing."《李尔王》的影像读书笔记:被切尔诺贝利核泄漏摧毁的文明需要重构,将声画光影从故事中剥落,角色模仿着写书人,梅勒女儿有着三个父亲,二十世纪前半叶纽约黑帮史和伍尔夫《海浪》乱入,伍迪艾伦最后几分钟才露面一脸梦游走错片场状……戈达尔一贯的不知所谓,挺好
楚翰彻
2019-06-14 15:30:53