《非虚构日记》是2014年的一部纪录片。由郑润锡精心打造的,电影非虚构日记,又名논픽션 다이어리、Non-fiction Diary。90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴, 삼풍 백화점 붕괴, 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 18th Busan International Film Festival Documentary Competition
综合评分:
DVD电影网评分6.6,算是一部中等的电影作品,感兴趣的朋友可以看看。
影迷点评:
橋本喵 说:從集體謀殺事件Jijon Clan不僅帶出聖水大橋斷橋和三豐百貨倒塌,資本主義貧富差異下的直接兇殺和間接殺人(違章工程帶來的大量傷亡);更從對判決行刑帶出了對國家權力制度的反思:「整個過程如同寫好劇本」,通過死刑這一手段建立權力對公眾的威懾力。拿謀殺兇手的年輕人全員死刑和出獄還開玩笑的全鬥煥比較有意思,不管是底層平民還是權力頂點,為了無法改寫過去的受害者家屬和防患於未然的未來公民,該如何消化罪責?一部紀錄片反映了整個社會上下到處都是論點。基督教那裡有點沒看懂。
Wenwen 说:Jijon Clan 的暴力事件串联起韩国 90 年代史,从事发前的韩国社会背景——价值冲突与历史遗留问题,到审判过程中的节点性社会伤痛——圣水大桥与三豐百貨店,再到死刑判决前后的对宗教问题、国家暴力机器合法性的探讨。私以为,以这种进路回顾一下国内的 2000s,便会发现历史总是惊人的相似… Archive 找得蛮好。我仍然不是很喜欢太多的 title cards。
对方 说:20年后回看韩国90年代,1994Jijon案和全斗焕,窃钩者诛,窃国者诸侯,各宗教竞相争夺感化死刑犯。处女作这等野心还是很佩服的!
精彩剧照:
影迷点评