《第二生命》是1966年的一部科幻片。由约翰·弗兰克海默执导,伊丽莎白弗雷泽、多迪·希斯、内德里克·扬等联袂主演。第二生命,又名脱胎换骨、Seconds。Middle-aged banker Arthur Hamilton is given the opportunity to start a completely new life when he receives calls from his old friend Charlie. The only problem is that Charlie is supposed to be dead. Hamilton is eventually introduced to a firm that will fake his death and create an entirely new look and life for him. After undergoing physical reconstruction surgery and months of training and psychotherapy, Hamilton returns to the world in the form of artist Tony Wilson. He has a nice house in Malibu and a manservant, a company employee who is there to assist him with his adjustment. He finds that the life he had hoped for isn't quite what he expected and asks the company to go through the process with surprising results. Written by garykmcd
综合评分:
DVD电影网评分7.9,算是一部中等偏上的电影作品,值得收藏看,推荐大家观看。
影迷点评:
没十斤公爵BOT 说:超我伴随着自我的消失永远是可望不可及的幻梦。美国人相信,或者说表面上相信“The Second Chance”,与此同时1960s的嬉皮士们似乎同样追求着极致的,去秩序化的享乐,而《第二生命》则以一种冷峻的方式,将他们想象中的希腊—马克思式乌托邦展现出来,并暗示着,如果我们真的实现了这些愿望,如果我们真的不再匮乏,事情将变得多么令人恐惧,它可以是一种道德寓言,也可以是一次拉康式的噩梦,我们究竟多么犬儒?又是谁在逼迫着我们享乐? 黄宗霑采用的鱼眼镜头构造了一种真正意义上的表现主义,它将Art Deco的线条感扭曲,“理想”生活的狰狞一面,及其幕后的循环工业体制。
波尼奈奈 说:世界史 看完觉得很难受,半天喘不过气来。男主角在虚幻与真实之间游走,探求着真相,最终发现这世界的残酷法则,一个生命的延续是以另一个生命为代价,然后决绝地走向手术台,接受死亡的命运 ,想及郑保瑞的【狗咬狗】。黄宗霑与弗兰克海默用黑白光影编织最可怕的噩梦,镜头表现力极强,鱼眼镜头正如片中角色的内心一样,被金钱扭曲变形,反复出现的海滩,象征着代表战后一代人空虚的心灵。
Benjamin 说:感到可惜的片子,即使摄影有创意①片头特写的五官进行变形缩放,画面分屏的时候创造出独特的视觉效果②扭曲的房间以及使用广角镜头的变形面部特写很有意思③“酒神节”的狂欢派对,动感的镜头很好的传达出“醉”的状态,可惜的是黑白还是低对比度且无光影效果④叙事未能达到画面的水平,画面未推动叙事
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