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剧情简介 《千阳》是2013年的一部纪录片。由玛缇·迪欧普执导，Magaye Niang等联袂主演。千阳，又名Mille Soleils、A Thousand Suns。The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination. Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that). Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
综合评分：
DVD电影网评分7.9，算是一部中等偏上的电影作品，值得收藏看，推荐大家观看。
影迷点评：
按时对话法 说：Criterion Channel；与《土狼之旅》连看，横跨四十年的接续，看做一个整体时，虚实已经难以分辨；银幕与现实相隔四十年的对视，与Anta的越洋电话，阿拉斯加的冰雪，与咏叹调，结尾冰雪空镜中的对话点题：你要是回来了 你不会觉得你回到了家乡，不回来才觉得有家可回；你离开了之后，才有了家，但也是回不去的家。；以《正午》的主题曲开篇与结尾:Do not forsake me, oh my darlin', On this, our weddin' day; I do not know what fate awaits me, I only know I must be brave; ...
刘浪 说：将Touki Bouki扩展了好几个层级关系，非常美妙的跨时空对话，不仅是观看的，且是重构的。（不知道是基于剪辑意图还是剪辑失误）调整了观看Touki Bouki的时序，登船与奔跑两场作了次序颠倒。当纪录片尾声引向到Performative Mode，机车少年符号重现，此刻的Magaye与年轻的情人分别走在雪地，离散的时空被统一在同一条延续的时间线上。至此，引出离家的人才有家可回，极其有力。
NVHZ 说：画风真不错。毁灭美。高低饱和，蓝光，手持、噪点、暴力构图，还有雪山上的黑女人和黑石头——这画面，别的人种达不到的。最美是那个车上的太阳，手持，超长焦，低分辨，非洲那么红的落日。主题也好，以前的电影，现在的生活，对一个女人的思念。倒怪有王家卫的味道。可惜特写不足，浮光掠影。该煽情的地方没煽成。还有这不是纪录片。
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