《红发美人》是1932年的一部喜剧片。由杰克·康威执导,珍·哈露、切斯特·莫里斯、刘易斯·斯通等联袂主演。红发美人,又名Red-Headed Woman。Jean Harlow in a pre Hay's code movie portrays a young beautiful woman who intends to sleep her way to the top in the Great Depression. Miss Harlow wearing a 'red' wig stops at nothing to sleep with the boss's son, Chester Morris, ruin his marriage to Leila Hyamas (who is a size '0' or less) for money. and marriage . Lots of sex and innuendo let us know that Jean Harlow is a healthy girl who enjoys a good sex life with the Chester's character Bill Legendre before marriage. Once married to Chester Morris, Jean's character is not accepted by his well to do friends and is made a laughing stock. Leaving town Jean heads to New York where she starts an immediate affair with an old friend of the family, over 60, and the family chauffer just for good measure. However Chester Morris finds out what is going on and tells her new lover, with her new engagement broken she heads back to Chester. Wise to her now and with a hopefull reunion with his first wife, she is rejected but accepts a payoff and heads off into the sunset with the chauffer. Now able to speak French, Jeam Harlow now finds herself a French millionaire and keeps the chauffer. Jean Harlow's character wears revealing clothes and is topless in one scene when changing. Una Merkel as her best friend is a great down to earth friend who accepts it all as quite normal behaviour for 1932. Very entertaining.
综合评分:
DVD电影网评分6.8,算是一部中等的电影作品,感兴趣的朋友可以看看。
影迷点评:
嫩牛$£A¥五方 说:实际上这部片子上很多东西逻辑上解释不清楚,比如为什么男主Bill和他的家庭不直接炒了Jean Harlow饰演的红发女郎Lilian,又或是为什么Lilian每次无理取闹最后男人们都会战败而Lilian最后还能全身而退,以及对男主妻子Irene单薄的人物刻画和她离婚后儿戏般的回心转意,这些都是剧本的绝对硬伤,并且对此而言1933年的Babyface的确更胜一筹。但是这部电影胜在其结尾,两年后搬到巴黎的Lilian又是东山再起,名利双收;告诉着我们世界上永远会有人买红发女郎们的账,而红发女郎们无论从古到今都无处不在,一个个都等着自己的机会去爬上社会的金字塔
Yukiii 说:世界观是很可以的,男人好色女人淫乱,富人虚伪穷人心机。也没有物化男性或女性,给了双方agency(男人找侦探结盟;女人自己目标明确,自己努力实现目标)说到底阶级和性别只是区分了你在哪里住,住多大的房子,出入什么场合,办公室里做什么类型的工作,但本质上,这些人都是一样的。//但…电影形式上没有有效的帮助传达这个信息。虽然是precode时代,对性、裸体还是很保守的;女主的吸引力仿佛被神化了(当然,吸引力这个判断来自于女性视角,也许有偏颇
Calavera 说:不保证靠谱地鉴定一下,《红发美人》和《娃娃脸》应该是前法典时期道德最“败坏”的两部代表作。由珍·哈露饰演的女主当小三、多次出轨、开枪伤人,最后还能在异国他乡逍遥快活,简直让强盗片的黑帮老大嫉妒得目瞪口呆。女主形象或可与美国现实中经济大萧条的背景联系起来,她在银幕上的成功,实际上满足了观众钓金龟婿、傍有钱人的愿望,让他们在幻想中缓解了经济上的焦虑。
精彩剧照:
影迷点评